STAT Archives

Classification: Arts

Title

Contrib.

Vol

Pages

Class.

Use

"I thought pain was part of the game"

Shelagh Aitken (auth/Teacher)

H.41.17

'Thy fingers walk with gentle gait' - Reading the sonnet

Lawrence Bruce (auth/Teacher)

H.24

7th InternationalConference for Alexander Teachers Working in Music Institutions and Privately with Musicians

Judith Kleinman (auth/Teacher)

H.40.17

A Workshop for and about Musicians

Evangeline Benedetti (auth/Teacher)

H.40

Abstract: The effect of lessons in the Alexander Technique on music performance in high and low stress situations

Elizabeth R. Valentine (auth)

H.41.08

Accompanying Alexander

Alex Farkas (auth/teacher)

H.41

Acting and inhibition

Paul Burge (auth/teacher)

H.30

Acting and the Alexander Technique

Richard Levine (auth/teacher)

H.30

actor and the neutral state, The

Joan Diamond (auth/teacher)

H.30

actor in you, The

John A. Baron (auth/teacher)

H.30

actor's response, An

Jo Benincasa (auth)

H.30.18

Aesthetic re-education

Alexander Farkas (auth)

H.12

Alexander aid to acting

Diana Dantes (auth)

H.30

Alexander and the musician

Elizabeth Waterhouse (auth/teacher)

H.40

Alexander and voice work

Janet Madelle Feindel (auth/teacher)

H.24

Alexander anthem, An

Nora Powles (auth), Powles (auth)

H.89.97

Alexander Directed for Actors

Janet Madelle Feindel (auth/Teacher)

H.30

Alexander in professional dance

Michael Schumacher (auth)

H.50

Alexander lesson, An

Jean de Heger (auth)

H.89.97

Alexander teachers at Russian dance festival

Jamie McDowell (auth/Teacher)

H.50.17

Alexander Technique - The preparation and performance of music - A pianist's view

Nelly Ben-or (auth/teacher)

H.45

Alexander Technique and autobiographical writing, The

Joan Diamond (auth/teacher)

H.80

Alexander Technique and dance, The

Phyllis G. Richmond (auth/teacher)

H.50

Alexander Technique and its relationship to voice and Shakespearean performance, The

Rob Macdonald (auth/teacher)

H.30

Alexander Technique and piano performance, The

Patricia J. Gallup (auth/teacher)

H.45

Alexander Technique and the actor, The

Meade Andrews (auth/teacher), Saura Bartner (auth/teacher)

H.30

Alexander Technique and the actor, The

Meade Andrews (auth/teacher), Saura Bartner (auth/teacher)

H.30

Alexander Technique and the actor, The

John Gray (auth/teacher)

H.30

Alexander Technique and the audition, The

Christine Suhr (auth/teacher)

H.26

Alexander technique and the dancer, The - preventive care during activity

Phyllis Richmond (auth/teacher)

H.50

Alexander Technique and the guitarist

George Clinton (auth)

H.46

Alexander Technique for actors, The

Kelly McEvenue (auth/teacher)

148

H.30

Alexander Technique for performers (- Q & A)

Dr Miriam A. Wohl (auth/teacher)

H.20

Alexander Technique in movement and dance improvisation

Elisabeth Molle (auth/teacher), Renate Wehner (auth/teacher)

H.50

Alexander Technique in music departments

Jo Fisher (auth/teacher)

H.40

Alexander Technique in the preparation and performance of music, The + A pianist's thoughts on the Alexander Technique

Nelly Ben-or (auth/teacher)

H.40

Alexander Technique provision 2004-2005 in UK music conservatoires

Malcolm Williamson (auth/teacher)

H.40.15.08

Alexander Technique teacher's perspective on the new approach, An

Janet Pinder-Emery (auth)

H.46

Alexander Technique, T'ai Chi Ch'uan, and stage combat, The - The integration of use, somatics, and skills in the teaching of stage moevement

Phyllis G. Richmond (auth/teacher), Bill Langfelder (auth)

H.30

Alexander Technique, The

Judith Leibowitz (auth/teacher)

H.50

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